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24 Tweets Per Second: A Dia­lo­gue on Jor­ge Lorenzo’s “‘On the Road’ by Jack Kerouac”, rese­ña de cor­to­me­tra­je por Dirk de Bruyn y Ste­ve McInty­re para Sen­ses of Cine­ma (revis­ta elec­tró­ni­ca). Aus­tra­lia. Sep­tiem­bre 2013 (#68), ARTÍCULO ESTELAR.

http://sensesofcinema.com/2013/feature-articles/24-tweets-per-second-a-dialogue-on-jorge-lorenzos-on-the-road-by-jack-kerouac/

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Top of the Pops 3000 Anti-IMDb, lis­ta­do de las pelí­cu­las más sub­ver­si­vas de la his­to­ria del cine por Nico­le Bre­nez (citan­do a Ale­xan­der Hor­wath, Direc­tor del Film­mu­seum de Aus­tria) para la revis­ta Cahiers Du Cine­ma (revis­ta de cine). Paris, Fran­cia. Julio-Agos­to 2009 (#647), pp. 61–62.

http://www.filmmuseum.at/jart/prj3/filmmuseum/data/uploads/Vermittlung_Forschung/Textmaterialien/Persistence%20and%20Mimicry.pdf

http://www.hotnews.ro/stiri-film-5928194-film-despre-revolutia-din-89-topul-cahiers-cinma-celor-mai-subversive-filme.htm

http://www.cinematograf.myforum.ro/-vp15306.html

http://agenda.liternet.ro/articol/9446/Iulia-Blaga/Videograme-dintr-o-revolutie-in-topul-Cahiers-du-Cinema-al-celor-mai-subversive-filme.html

Imá­ge­nes:

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Per­sis­ten­ce and Mimicry: The Digi­tal Era and Film Collec­tions, artícu­lo y con­fe­ren­cia de Ale­xan­der Hor­wath para Jour­nal of Film Pre­ser­va­tion (jour­nal de cine). FIAF Publi­ca­tions. Bru­se­las, Bél­gi­ca. Abril 2012 (86), pp. 20–28.

http://www.fiafnet.org/pdf/JFP/86.pdf

http://www.canal‑u.tv/producteurs/cinematheque_francaise/dossier_programmes/colloque_cinema_numerique_2011/en_persistence_and_mimicry_the_digital_era_and_film_collections_lecture_by_alexander_horwath

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