{"id":88,"date":"2015-08-20T15:25:22","date_gmt":"2015-08-20T20:25:22","guid":{"rendered":"http:\/\/jorgelorenzocineasta.com\/es\/?p=88"},"modified":"2021-04-08T21:59:43","modified_gmt":"2021-04-08T21:59:43","slug":"texts-on-jorge-lorenzo","status":"publish","type":"post","link":"https:\/\/jorgelorenzocine.mx\/en\/texts-on-jorge-lorenzo\/","title":{"rendered":"TEXTS ON JORGE LORENZO"},"content":{"rendered":"<p style=\"text-align: left;\"><!--more--><\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: inherit;\"><br>\u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/span><\/p>\n<p><em>24 Tweets Per Second: A Dia\u00adlo\u00adgue on Jor\u00adge Lorenzo\u2019s \u201c\u2018On the Road\u2019 by Jack Kerouac\u201d<\/em>, film com\u00adments by Dirk de Bruyn y Ste\u00adve McInty\u00adre for Sen\u00adses of Cine\u00adma (elec\u00adtr\u00f3\u00adnic maga\u00adzi\u00adne). Aus\u00adtra\u00adlia. Sep\u00adtem\u00adber 2013 (#68), FEATURE ARTICLE.<\/p>\n<p><a href=\"http:\/\/sensesofcinema.com\/2013\/feature-articles\/24-tweets-per-second-a-dialogue-on-jorge-lorenzos-on-the-road-by-jack-kerouac\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/sensesofcinema.com\/2013\/feature-articles\/24-tweets-per-second-a-dialogue-on-jorge-lorenzos-on-the-road-by-jack-kerouac\/<\/a><\/p>\n<p>Stills:<\/p>\n\n\n<div class=\"center\">\n<div class=\"Wrapper\">\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/Senses-of-cinema-377x600.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-24.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<\/div>\n<\/div>\n\n\n\n<p>\u2013 \u2013&nbsp;\u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/p>\n\n\n\n<p><em>Top of the Pops 3000 Anti-IMDb<\/em>, list of the most sub\u00adver\u00adsi\u00adve movies in film his\u00adtory by Nico\u00adle Bre\u00adnez (citing Ale\u00adxan\u00adder Hor\u00adwath, Direc\u00adtor of the Aus\u00adtria Film\u00admu\u00adseum) for Cahiers Du Cine\u00adma (film maga\u00adzi\u00adne). Paris, Fran\u00adce. July-August 2009 (#647), pp. 61\u201362.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.filmmuseum.at\/jart\/prj3\/filmmuseum\/data\/uploads\/Vermittlung_Forschung\/Textmaterialien\/Persistence%20and%20Mimicry.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.filmmuseum.at\/jart\/prj3\/filmmuseum\/data\/uploads\/Vermittlung_Forschung\/Textmaterialien\/Persistence%20and%20Mimicry.pdf<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/www.hotnews.ro\/stiri-film-5928194-film-despre-revolutia-din-89-topul-cahiers-cinma-celor-mai-subversive-filme.htm\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.hotnews.ro\/stiri-film-5928194-film-despre-revolutia-din-89-topul-cahiers-cinma-celor-mai-subversive-filme.htm<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/www.cinematograf.myforum.ro\/-vp15306.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.cinematograf.myforum.ro\/-vp15306.html<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/agenda.liternet.ro\/articol\/9446\/Iulia-Blaga\/Videograme-dintr-o-revolutie-in-topul-Cahiers-du-Cinema-al-celor-mai-subversive-filme.html\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/agenda.liternet.ro\/articol\/9446\/Iulia-Blaga\/Videograme-dintr-o-revolutie-in-topul-Cahiers-du-Cinema-al-celor-mai-subversive-filme.html<\/a><\/p>\n\n\n\n<p>Stills:<\/p>\n\n\n\n<div class=\"center\">\n<div class=\"Wrapper\">\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/Picture-1-424x600.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-top2.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/Picture-2-425x600.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-top3.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/Picture-3-424x600.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-top.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/cahiers-cita.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-top1.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<\/div>\n<\/div>\n\n\n\n<p>\u2013 \u2013&nbsp;\u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/p>\n\n\n\n<p><em>Per\u00adsis\u00adten\u00adce and Mimicry: The Digi\u00adtal Era and Film Collec\u00adtions<\/em>, arti\u00adcle and lec\u00adtu\u00adre by Ale\u00adxan\u00adder Hor\u00adwath for Jour\u00adnal of Film Pre\u00adser\u00adva\u00adtion. FIAF Publi\u00adca\u00adtions. Brus\u00adsels, Bel\u00adgium. April 2012 (86), pp. 20\u201328.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.fiafnet.org\/pdf\/JFP\/86.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/www.fiafnet.org\/pdf\/JFP\/86.pdf<\/a><\/p>\n\n\n\n<div id=\"link\"><a href=\"http:\/\/www.canal-u.tv\/producteurs\/cinematheque_francaise\/dossier_programmes\/colloque_cinema_numerique_2011\/en_persistence_and_mimicry_the_digital_era_and_film_collections_lecture_by_alexander_horwath\" target=\"_blank\" rel=\"noopener\">http:\/\/www.canal\u2011u.tv\/producteurs\/cinematheque_francaise\/dossier_programmes\/colloque_cinema_numerique_2011\/en_persistence_and_mimicry_the_digital_era_and_film_collections_lecture_by_alexander_horwath<\/a><\/div>\n\n\n\n<p>Stills:<\/p>\n\n\n\n<div class=\"center\">\n<div class=\"Wrapper\">\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/Picture-4-420x600.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-pers1.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/Picture-5-418x600.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-pers2.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/Picture-6-419x600.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-pers3.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/Picture-7-419x600.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-pers4.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/Picture-8.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-pers.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-88","post","type-post","status-publish","format-standard","hentry","category-texts"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/88","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/comments?post=88"}],"version-history":[{"count":7,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/88\/revisions"}],"predecessor-version":[{"id":2089,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/88\/revisions\/2089"}],"wp:attachment":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/media?parent=88"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/categories?post=88"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/tags?post=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}