{"id":45,"date":"2015-08-19T09:04:02","date_gmt":"2015-08-19T14:04:02","guid":{"rendered":"http:\/\/jorgelorenzocineasta.com\/es\/?p=45"},"modified":"2021-04-08T21:08:44","modified_gmt":"2021-04-08T21:08:44","slug":"two-sides-to-every-flag","status":"publish","type":"post","link":"https:\/\/jorgelorenzocine.mx\/en\/two-sides-to-every-flag\/","title":{"rendered":"TWO SIDES TO EVERY&nbsp;FLAG"},"content":{"rendered":"<p><!--more--><br>Country: USA<br>For\u00admat: 16mm film ins\u00adta\u00adlla\u00adtion<br>Dura\u00adtion: Loop (until the film breaks)<br>Color<br>Silent<br>2006<\/p>\n<p>Synop\u00adsis:<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;The idea here is to repro\u00addu\u00adce the Ame\u00adri\u00adcan flag through the film appa\u00adra\u00adtus making refe\u00adren\u00adce to <em>Two Sides to Every Story<\/em> (1974) by Cana\u00addian expe\u00adri\u00admen\u00adtal film\u00adma\u00adker, Michael Snow. A waving screen aired by a fan for a flag; a light stand to recrea\u00adte the flag post; and a sli\u00adde of Jas\u00adper Joh\u00adn\u2019s pain\u00adting of the Ame\u00adri\u00adcan flag pro\u00adjec\u00adted onto both sides of the screen on 16mm film. A remin\u00adder of the non\u00adsen\u00adsi\u00adcal efforts of film\u00adma\u00adking to crea\u00adte fal\u00adse reali\u00adties on the one hand, and a com\u00adment on how ambi\u00adguous the appa\u00adrently abso\u00adlu\u00adte and inhe\u00adrent sen\u00adse of iden\u00adtity in a hea\u00advily char\u00adged natio\u00adna\u00adlis\u00adtic icon may turn out to be on the&nbsp;other.<\/p>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/CQbBqzfg0Bs?vq=480p&amp;rel=0&amp;showinfo=0\" width=\"741\" height=\"411\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\n<p>Stills:<\/p>\n\n\n<div class=\"center\">\n<div class=\"Wrapper\">\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/Flag-800x600.jpeg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-bandera.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-45","post","type-post","status-publish","format-standard","hentry","category-film-video-installation"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":4,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/45\/revisions"}],"predecessor-version":[{"id":2061,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/45\/revisions\/2061"}],"wp:attachment":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/media?parent=45"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/categories?post=45"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/tags?post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}