{"id":37,"date":"2015-08-19T09:08:56","date_gmt":"2015-08-19T14:08:56","guid":{"rendered":"http:\/\/jorgelorenzocineasta.com\/es\/?p=37"},"modified":"2021-04-08T20:59:04","modified_gmt":"2021-04-08T20:59:04","slug":"screen","status":"publish","type":"post","link":"https:\/\/jorgelorenzocine.mx\/en\/screen\/","title":{"rendered":"SCREEN"},"content":{"rendered":"<p><!--more--><br>Country: Mexi\u00adco<br>For\u00admat: Ins\u00adta\u00adlla\u00adtion-appro\u00adpria\u00adtion<br>Dura\u00adtion: NA<br>2008<\/p>\n<p>Synop\u00adsis:<\/p>\n<p>&nbsp;&nbsp;&nbsp;By using the cine\u00adma screen as a \u201cready-made\u201d and sig\u00adning my name on the bot\u00adtom right hand cor\u00adner \u2013like a pain\u00adter would do when finishing a pain\u00adting or a graf\u00adfi\u00adti artist does on a wall\u2013 I am not only appro\u00adpria\u00adting myself of it in order to bring for\u00adward its cha\u00adrac\u00adte\u00adris\u00adtics as an object in the film pro\u00adcess, but also of the films pro\u00adjec\u00adted on that par\u00adti\u00adcu\u00adlar screen in order to take our unders\u00adtan\u00adding of colla\u00adge-appro\u00adpria\u00adtion-com\u00adpi\u00adla\u00adtion tech\u00adni\u00adques to an extre\u00adme for further questioning.<\/p>\n<p>NOTE: The follo\u00adwing video shows excer\u00adpts of impor\u00adtant films in the his\u00adtory of expe\u00adri\u00admen\u00adtal cine\u00adma only as an exam\u00adple of a sup\u00adpo\u00adsed film pro\u00adgram in order to trans\u00admit an idea of what the refe\u00adrred ins\u00adta\u00adlla\u00adtion-appro\u00adpria\u00adtion would be like. The con\u00adtent of such a pro\u00adgram will vary depen\u00adding on the curator\u2019s choi\u00adce of works to be scree\u00adned if he ever deci\u00addes to pre\u00adsent this pie\u00adce in a spe\u00adci\u00adfic&nbsp;event.<\/p>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/QVWqEztKLpk?vq=480p&amp;rel=0&amp;showinfo=0\" width=\"741\" height=\"411\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-37","post","type-post","status-publish","format-standard","hentry","category-film-video-installation"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/37","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/comments?post=37"}],"version-history":[{"count":2,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/37\/revisions"}],"predecessor-version":[{"id":2054,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/37\/revisions\/2054"}],"wp:attachment":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/media?parent=37"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/categories?post=37"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/tags?post=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}