<\/p>\n
\u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/p>\n
\u2018ON THE ROAD\u2019 BY JACK KEROUAC<\/p>\n
-Car\u00adto\u00adgra\u00adf\u00eda Tro\u00adpi\u00adcal II \u201cEsbu\u00adra\u00adcar a mate\u00adria\u201d cura\u00adted by Sebas\u00adtian Wie\u00adde\u00admann and Anto\u00adni Pinent. Dobra Fes\u00adti\u00adval Inter\u00adna\u00adcio\u00adnal de Cine Expe\u00adri\u00admen\u00adtal. R\u00edo de Janei\u00adro, Bra\u00adzil (Sep\u00adtem\u00adber 2015) -Solo show at Cine\u00adte\u00adca Nue\u00advo Le\u00f3n within the XXIV Feria Inter\u00adna\u00adcio\u00adnal del Libro Mon\u00adte\u00adrrey. Mon\u00adte\u00adrrey, NL, M\u00e9xi\u00adco (Octo\u00adber 2014) -\u201cLa sub\u00adje\u00adti\u00advi\u00addad docu\u00admen\u00adta\u00adda\u201d cura\u00adted by Daniel Val\u00addez Puer\u00adtos. ECO Museo Expe\u00adri\u00admen\u00adtal. Mexi\u00adco, DF (May 2014) -2014 Expe\u00adri\u00adments in Cine\u00adma v9.72. Albu\u00adquer\u00adque, NM, USA (April 2014) -\u201cCine sin fron\u00adte\u00adras\u201d cura\u00adted by Jes\u00adse Ler\u00adner. XI Fes\u00adti\u00adval Inter\u00adna\u00adcio\u00adnal de Cine de More\u00adlia. More\u00adlia, Mich., M\u00e9xi\u00adco (Octo\u00adber 2014) -\u201cOutsi\u00adde the Outsi\u00adde\u201d cura\u00adted by Dirk de Bruyn and Glenn D\u2019Cruz. Wal\u00adker Street Gallery. Mel\u00adbour\u00adne, Aus\u00adtra\u00adlia (July 2013) \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/p>\n THE HORROR<\/p>\n -\u201cCine Regio\u00admon\u00adtano\u201d. XXI Feria Inter\u00adna\u00adcio\u00adnal del Libro de Mon\u00adte\u00adrrey. Mon\u00adte\u00adrrey, NL, Mexi\u00adco (Octo\u00adber 2011)<\/p>\n -\u201cCine Regio Actual\u201d cura\u00adted by Jos\u00e9 Quin\u00adta\u00adni\u00adlla. More\u00adlia Inter\u00adna\u00adtio\u00adnal Film Fes\u00adti\u00adval. More\u00adlia, Mich., Mexi\u00adco (Octo\u00adber 2011) -Pro\u00addu\u00adced for the group show \u201cLec\u00adcio\u00adnes de terror\u201d cura\u00adted by Andr\u00e9s Jura\u00addo and Ang\u00e9\u00adli\u00adca Pie\u00addrahi\u00adta. V Teacher\u2019s Biennial \u201cLuga\u00adres Comu\u00adnes\u201d of the Visual Arts Depart\u00adment at Uni\u00adver\u00adsi\u00addad Jave\u00adria\u00adna. Bogo\u00adta, Colom\u00adbia (2009) \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/p>\n 1\/48\u201d<\/p>\n -\u201cThe Clock: or, 89 Minu\u00adtes of Free Time\u201d cura\u00adted by Ale\u00adxan\u00adder Hor\u00adwath. Il Cine\u00adma Ritro\u00adva\u00adto: Bolog\u00adna Film Fes\u00adti\u00adval for Res\u00adto\u00adred Films at Cine\u00adte\u00adca de Bolo\u00adnia (cele\u00adbra\u00adting the 50th Anni\u00adver\u00adsary of the Aus\u00adtria Film Museum). Bolog\u00adna, Italy (June-July 2014) -\u201dHap\u00adpi\u00adness is a Warm Pro\u00adjec\u00adtor\u201d cura\u00adted by Bryan Konefs\u00adki. 2013 Alter\u00adna\u00adti\u00adve Film and Video Fes\u00adti\u00adval. Bel\u00adgra\u00adde, Ser\u00adbia (Decem\u00adber 2013) -\u201dHap\u00adpi\u00adness is a Warm Pro\u00adjec\u00adtor\u201d cura\u00adted by Bryan Konefs\u00adki. Los Ange\u00adles Film Forum. Los Ange\u00adles, CA, USA (Octo\u00adber 2013) -\u201cThe Clock: or, 89 Minu\u00adtes of Free Time\u201d cura\u00adted by Ale\u00adxan\u00adder Hor\u00adwath. To Save and Pro\u00adject: 10th MoMa Inter\u00adna\u00adtio\u00adnal Fes\u00adti\u00adval of Film Pre\u00adser\u00adva\u00adtion. New York, USA (Octo\u00adber 2012) -\u201dPer\u00adsis\u00adten\u00adce and Mimicry: The Digi\u00adtal Era and Film Collec\u00adtions\u201d lec\u00adtu\u00adre by Ale\u00adxan\u00adder Hor\u00adwath. Cin\u00e9\u00admath\u00e8\u00adque Fran\u00adcai\u00adse. Paris, Fran\u00adce (Octo\u00adber 2011) -\u201dHap\u00adpi\u00adness is a Warm Pro\u00adjec\u00adtor\u201d cura\u00adted by Bryan Konefs\u00adki. Museo de Arte Con\u00adtem\u00adpo\u00adr\u00e1\u00adneo ERARTA. San Peters\u00adburg, Rus\u00adsia (Octo\u00adber 2010)<\/p>\n -2010 Expe\u00adri\u00adments in Cine\u00adma v5.1. Albu\u00adquer\u00adque, NM, USA (April 2010) -2010 Mil\u00adwau\u00adkee Under\u00adground Film Fes\u00adti\u00adval. Mil\u00adwau\u00adkee, WI, USA (April 2010) -\u201cMas\u00adter\u00adpie\u00adces of New Ame\u00adri\u00adcan Avant-gar\u00adde Film\u201d cura\u00adted by Chris May. Film Museum Aus\u00adtria. Vien\u00adna, Aus\u00adtria (April 2009) -2008 Inter\u00adna\u00adtio\u00adnal Expe\u00adri\u00admen\u00adtal Cine\u00adma Expo\u00adsi\u00adtion (TIE). Pao\u00adnia, CO, USA (Octo\u00adber 2008)<\/p>\n \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/p>\n THE TREACHERY OF TIME<\/p>\n -\u201cMues\u00adtra de cine Ful\u00adbright-Gar\u00adc\u00eda Robles\u201d. Cine\u00adte\u00adca Nacio\u00adnal. Mexi\u00adco, DF (July 2011) -\u201cCine Pove\u00adra\u201d cura\u00adted by Jes\u00adse Ler\u00adner. (ready)Media: arqueo\u00adlo\u00adg\u00eda de los medios y la inven\u00adci\u00f3n en M\u00e9xi\u00adco. Labo\u00adra\u00adto\u00adrio Arte Ala\u00adme\u00adda. Mexi\u00adco, DF (June 2010) -2008 Inter\u00adna\u00adtio\u00adnal Expe\u00adri\u00admen\u00adtal Cine\u00adma Expo\u00adsi\u00adtion (TIE). Pao\u00adnia, CO, USA (Octo\u00adber 2008)<\/p>\n \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/p>\n FILM NOIR (100% PURE BLACK FILM 1)<\/p>\n -\u201cSiting Cine\u00adma\u201d cura\u00adted by Pablo de Ocam\u00adpo. Exis Expe\u00adri\u00admen\u00adtal Film and Video Fes\u00adti\u00adval. Seoul, Korea (Sep\u00adtem\u00adber 2009)<\/p>\n -\u201cSiting Cine\u00adma\u201d cura\u00adted by Pablo de Ocam\u00adpo. Expe\u00adri\u00admen\u00adta: Inter\u00adna\u00adtio\u00adnal Fes\u00adti\u00adval for Moving Ima\u00adge Art. Ban\u00adga\u00adlo\u00adre, India (Decem\u00adber 2009) -\u201cSiting Cine\u00adma\u201d cura\u00adted by Pablo de Ocam\u00adpo. 2009 Ima\u00adges Fes\u00adti\u00adval. Toron\u00adto, Cana\u00adda (April 2009) -2007 Inter\u00adna\u00adtio\u00adnal Expe\u00adri\u00admen\u00adtal Cine\u00adma Expo\u00adsi\u00adtion (TIE). Mon\u00adte\u00advi\u00addeo, Uru\u00adguay (Novem\u00adber 2007)<\/p>\n \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/p>\n PINHOLE SERIES 1: BULB<\/p>\n -2008 Onion City Film Fes\u00adti\u00adval. Chica\u00adgo, IL, USA (April 2008) -\u201cExpe\u00adri\u00admex\u201d cura\u00adted by Rosa\u00adrio Sote\u00adlo and Jor\u00adge Loren\u00adzo. Museo de His\u00adto\u00adria Mexi\u00adca\u00adna y Tec\u00adno\u00adl\u00f3\u00adgi\u00adco de Mon\u00adte\u00adrrey. Mon\u00adte\u00adrrey, NL, Mexi\u00adco (March 2009)<\/p>\n -\u201cExpe\u00adri\u00admex\u201d cura\u00adted by Rosa\u00adrio Sote\u00adlo and Jor\u00adge Loren\u00adzo. Cine\u00admathe\u00adque. San Fran\u00adcis\u00adco, CA, USA (April 2007) -2007 Ber\u00adlin Inter\u00adna\u00adtio\u00adnal Film Fes\u00adti\u00adval (Ber\u00adli\u00adna\u00adle): Inter\u00adna\u00adtio\u00adnal Forum of New Cine\u00adma. Ber\u00adlin, Ger\u00admany (February 2007) -2006 Inter\u00adna\u00adtio\u00adnal Expe\u00adri\u00admen\u00adtal Cine\u00adma Expo\u00adsi\u00adtion (TIE). Den\u00adver, CO, USA (Octo\u00adber 2006)<\/p>\n \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/p>\n BLUE-UP<\/p>\n -\u201cCine Pove\u00adra\u201d cura\u00adted by Jes\u00adse Ler\u00adner. (ready)Media: arqueo\u00adlo\u00adg\u00eda de los medios y la inven\u00adci\u00f3n en M\u00e9xi\u00adco. Labo\u00adra\u00adto\u00adrio Arte Ala\u00adme\u00adda. Mexi\u00adco, DF (June 2010) -\u201cCine Pove\u00adra\u201d cura\u00adted by Jes\u00adse Ler\u00adner. 2009 Ima\u00adges Fes\u00adti\u00adval. Toron\u00adto, Cana\u00adda (April 2010) -\u201cAlter\u00adna\u00adti\u00adve Visions: Alter\u00adna\u00adti\u00adve Requi\u00adre\u00adments 2007: Bay Area Stu\u00addent Expe\u00adri\u00admen\u00adtal Film Fes\u00adti\u00adval\u201d. Paci\u00adfic Film Archi\u00adve (UC Ber\u00adke\u00adley). Ber\u00adke\u00adley, CA, USA (Octo\u00adber 2007) -2006 Inter\u00adna\u00adtio\u00adnal Expe\u00adri\u00admen\u00adtal Cine\u00adma Expo\u00adsi\u00adtion (TIE). Den\u00adver, CO, USA (Octo\u00adber 2006)<\/p>\n -\u201cS is for Stu\u00addent\u201d cura\u00adted by Kris\u00adta Davis, Kim Jack\u00adson y Nico\u00adlas Pere\u00adda. 2006 Ima\u00adges Film Fes\u00adti\u00adval. Toron\u00adto, Cana\u00adda (April 2006) \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/p>\n ABORTION<\/p>\n -2007 Inter\u00adna\u00adtio\u00adnal Expe\u00adri\u00admen\u00adtal Cine\u00adma Expo\u00adsi\u00adtion (TIE) (pri\u00adva\u00adte scree\u00adning). Mon\u00adte\u00advi\u00addeo, Uru\u00adguay (Novem\u00adber 2007)<\/p>\n -2006 Inter\u00adna\u00adtio\u00adnal Expe\u00adri\u00admen\u00adtal Cine\u00adma Expo\u00adsi\u00adtion (TIE) (pri\u00adva\u00adte scree\u00adning). Den\u00adver, CO, USA (Octo\u00adber 2006)<\/p>\n -\u201cHands On the Hands Off\u201d cura\u00adted by Jun Jal\u00adbue\u00adna. San Fran\u00adcis\u00adco Cine\u00admathe\u00adque. San Fran\u00adcis\u00adco, CA, USA (May 2005) \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013<\/p>\n THE WANK<\/p>\n -\u201cWrong Thea\u00adter\u201d. Xc\u00e8n\u00adtric (10a tem\u00adpo\u00adra\u00adda abril-junio 2011). Cen\u00adtro de Cul\u00adtu\u00adra Con\u00adtem\u00adpo\u00adr\u00e1\u00adneo de Bar\u00adce\u00adlo\u00adna (CCCB). Bar\u00adce\u00adlo\u00adna, Espa\u00ad\u00f1a (May 2011) <\/p>\n","protected":false},"excerpt":{"rendered":" \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2013 \u2018ON THE ROAD\u2019 BY JACK KEROUAC \u2011Car\u00adto\u00adgra\u00adf\u00eda Tro\u00adpi\u00adcal II \u201cEsbu\u00adra\u00adcar a mate\u00adria\u201d cura\u00adted by Sebas\u00adtian Wie\u00adde\u00admann and Anto\u00adni Pinent. Dobra Fes\u00adti\u00adval Inter\u00adna\u00adcio\u00adnal de Cine [\u2026]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-346","post","type-post","status-publish","format-standard","hentry","category-exhibition"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/comments?post=346"}],"version-history":[{"count":3,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/346\/revisions"}],"predecessor-version":[{"id":2097,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/346\/revisions\/2097"}],"wp:attachment":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/media?parent=346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/categories?post=346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/tags?post=346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
http:\/\/www.festivaldobra.com.br\/<\/a><\/p>\n
https:\/\/www.facebook.com\/events\/372372336247040\/<\/a><\/p>\n
http:\/\/www.filmemagazine.mx\/kardex\/show_public.php?noticias_id=1140<\/a>
https:\/\/www.youtube.com\/watch?v=eDkoEi7W9BA<\/a><\/p>\n
http:\/\/www.experimentsincinema.org\/#!EIC-Film-Reviews\/c26o\/EAD08D1D-5A8F-42C9-A310-AB791745F015<\/a><\/p>\n
http:\/\/moreliafilmfest.com\/peliculas\/en-el-camino-de-jack-kerouac\/<\/a><\/p>\n
https:\/\/www.facebook.com\/events\/147576142114471<\/a><\/p>\n
https:\/\/groups.google.com\/forum\/#!topic\/cinenl\/Q5Stu1P887Y<\/a><\/p>\n
http:\/\/www.andresjurado.com\/lecciones\/videoslecciones.html<\/a><\/p>\n
http:\/\/www.filmmuseum.at\/jart\/prj3\/filmmuseum\/data\/uploads\/50_Filmmuseum%20Cinema%20ritrovato%202014.pdf<\/a><\/p>\n
http:\/\/www.alternativefilmvideo.org\/PDF\/alternative2013.pdf<\/a><\/p>\n
http:\/\/www.lafilmforum.org\/archive\/fall-2013-schedule\/happiness-is-a-warm-projector-select-work-from-experiments-in-cinema\/<\/a><\/p>\n
http:\/\/www.moma.org\/visit\/calendar\/film_screenings\/16497<\/a><\/p>\n
https:\/\/www.filmmuseum.at\/jart\/prj3\/filmmuseum\/data\/uploads\/Vermittlung_Forschung\/Textmaterialien\/Persistence%20and%20Mimicry.pdf<\/a>
https:\/\/www.canal\u2011u.tv\/video\/cinematheque_francaise\/en_persistence_and_mimicry_the_digital_
era_and_film_collections_lecture_by_alexander_horwath.7757<\/a><\/p>\n
http:\/\/www.undergroundfilmjournal.com\/experiments-in-cinema-v\u20115\u20131\u2011official-lineup\/<\/a><\/p>\n
http:\/\/mkeundergroundfilmfestival.blogspot.mx\/<\/a><\/p>\n
http:\/\/www.filmmuseum.at\/jart\/prj3\/filmmuseum\/main.jart?rel=en&content-id=1219068743272&schienen_id=1236066401628&reserve-modeactive<\/a><\/p>\n
https:\/\/www.facebook.com\/iberoexalumnos\/posts\/129738693777632<\/a>
http:\/\/www.cinetecanacional.net\/php\/detallePelicula.php?clv=9903&Tit=Hist%F3rico%20de%20pel%EDculas%20exhibidas<\/a><\/p>\n
http:\/\/www.laboralcentrodearte.org\/es\/actividades\/exposiciones\/ready-media<\/a>
http:\/\/www.artealameda.bellasartes.gob.mx\/Archivo\/archivo\/images\/0\/02\/(ready)Media_arqueolog%C3%ADa_e_invenci%C3%B3n_en_M%C3%A9xico(Carpetafinal).pdf<\/a><\/p>\n
http:\/\/experimenta.in\/?page_id=209<\/a><\/p>\n
http:\/\/www.imagesfestival.com\/calendar.php?event_id=338&month=n<\/a><\/p>\n
http:\/\/gallery400.uic.edu\/exhibitions\/focus-pull-onion-city-off-screen<\/a><\/p>\n
http:\/\/www.sfcinematheque.org\/experimex_04_22_2007\/<\/a><\/p>\n
http:\/\/www.arsenal-berlin.de\/en\/berlinale-forum\/archive\/news-archive\/single\/article\/777\/62\/\/archive\/2007\/january.html<\/a>
http:\/\/www.isabellspengler.net\/dload\/5132_forex7buero.pdf<\/a><\/p>\n
http:\/\/www.laboralcentrodearte.org\/es\/actividades\/exposiciones\/ready-media<\/a>
http:\/\/www.artealameda.bellasartes.gob.mx\/Archivo\/archivo\/images\/0\/02\/(ready)Media_arqueolog%C3%ADa_e_invenci\u00f3n_en_M\u00e9xico(Carpetafinal).pdf<\/a><\/p>\n
http:\/\/www.imagesfestival.com\/images\/festival\/24.pdf<\/a><\/p>\n
http:\/\/www.bampfa.berkeley.edu\/film\/FN16632<\/a><\/p>\n
http:\/\/www.imagesfestival.com\/calendar.php?event_id=118&month=n<\/a><\/p>\n
http:\/\/www.sfcinematheque.org\/hands-on_the_hands-off_a_special_3-hour_event_05_08_2005\/<\/a><\/p>\n
http:\/\/www.cccb.org\/xcentric\/es\/sessio-wrong_theater-37311<\/a><\/p>\n\n\n