{"id":31,"date":"2015-08-19T09:11:56","date_gmt":"2015-08-19T14:11:56","guid":{"rendered":"http:\/\/jorgelorenzocineasta.com\/es\/?p=31"},"modified":"2021-04-08T20:47:24","modified_gmt":"2021-04-08T20:47:24","slug":"the-horror","status":"publish","type":"post","link":"https:\/\/jorgelorenzocine.mx\/en\/the-horror\/","title":{"rendered":"THE HORROR"},"content":{"rendered":"<p><!--more--><br>Country: Mexi\u00adco<br>For\u00admat: NTSC Video<br>Dura\u00adtion: 2 minu\u00adtes 56 seconds<br>Color\/black and whi\u00adte<br>Sound<br>2009<\/p>\n<p>Synop\u00adsis:<\/p>\n<p>&nbsp;&nbsp;&nbsp;The logic of horror films is based on the fear they pro\u00addu\u00adce on the spec\u00adta\u00adtor. In <em>The horror<\/em>, such dyna\u00admics are inver\u00adted by giving the audien\u00adce the sta\u00adrring role \u2013as if the film were on \u201cthis\u201d side of the screen\u2013 and pre\u00adsen\u00adting the pro\u00adjec\u00adted cha\u00adrac\u00adters in the movies as the \u201caudien\u00adce\u201d of the spec\u00adta\u00adcle in the cine\u00adma thea\u00adter. Such an unu\u00adsual pro\u00adta\u00adgo\u00adnism enables the spec\u00adta\u00adtor to ques\u00adtion his or her tra\u00addi\u00adtio\u00adnal posi\u00adtion as a pas\u00adsi\u00adve par\u00adti\u00adci\u00adpant when wat\u00adching a film; always depen\u00addent upon the pro\u00adjec\u00adted illu\u00adsion on the cine\u00adma screen.<\/p>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/hXny9nPuLyQ?vq=480p&amp;rel=0&amp;showinfo=0\" width=\"741\" height=\"411\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>\n<p>Stills:<\/p>\n\n\n<div class=\"center\">\n<div class=\"Wrapper\">\n<a href=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2020\/12\/El-Horror-Bueno-800x600.jpeg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jorgelorenzocine.mx\/es\/wp-content\/uploads\/2021\/04\/thumb-horror.jpg?resize=181%2C130&#038;ssl=1\" height=\"130\" width=\"181\"><\/a>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-31","post","type-post","status-publish","format-standard","hentry","category-film-video-installation"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/31","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/comments?post=31"}],"version-history":[{"count":2,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/31\/revisions"}],"predecessor-version":[{"id":2050,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/posts\/31\/revisions\/2050"}],"wp:attachment":[{"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/media?parent=31"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/categories?post=31"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jorgelorenzocine.mx\/en\/wp-json\/wp\/v2\/tags?post=31"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}